Casting and directing a show here at Mount Saint Joe, especially in high school takes a lot of work from both the director, and the cast. I got the chance to interview the Mount’s drama director, Mr. Michael Hartsfield, as well as senior Brennan Hyde, an experienced cast member in the shows. I was able to get from them both angles of producing a show at Mount Saint Joseph from the side of casting, directing and acting.
Auditions are the real start of the process, when director meets actor. Here at Mount Saint Joseph, Mr. Hartsfield both directs the shows themselves, and casts the actors. That is a lot of responsibility right there, having to make all of the casting decisions in a short amount of time, not to mention the fact that Mr. Hartsfield doesn’t cut anyone from casting, and everyone gets to participate.
When it comes to auditions, Mr. Hartsfield looks for certain things from his actors, varying from show to show, play and musical. So if you’re a student looking to audition for one of our shows, you’d better pay close attention. Preparedness is a top quality that our director looks for in an audition. He wants to see people that have done their research on the show, and that have practiced their audition, whether it be a song or a monologue. There are also some general things that Mr. Hartsfield wants to see on stage. Strong projection of their voice, personality on stage, clarity, and for a musical; obviously, he wants to hear their singing abilities.
Brennan Hyde had never done any real shows, and only began his career here at the Mount. He has since risen in the ‘ranks’ in theater, and has landed himself a number of strong roles, including the part of Tony in “West Side Story.” Brennan has been in the driver seat of a lead, so it’s safe to say, he knows his way around the stage. Brennan had very similar things to say, despite these being separate interviews. Brennan does his research on the show he’s going to audition for, and finds out the theme. For musicals, Brennan says it depends on the musical, but he makes sure to research them, too, so he can pick the best song for his vocal range, as well as the range of a part he wants to get.
A question or topic that has come up when it comes to casting decisions is awarding roles based on your grade level. The concept comes from students wanting ‘a chance’ to have a bigger role, before they leave high school. According to Mr. Hartsfield, that is a “constant critique of…every high school director in the country.” Mr. Hartsfield also says he does not factor grade level into his casting decisions, but he does; however, use it as a neck and neck tiebreaker for a part. When Brennan Hyde was asked if he believed Mr. Hartsfield made casting decisions based on grade level, he also disagreed. The same story came up in both interviews about another student, Patrick Scott, who was cast as Ren, the lead in “Footloose,” when he was ‘only a freshman.’ Scott is now a junior at MSJ, and has since also played the part of Riff in “West Side Story.” With that in mind, it seems that the process is based on the audition itself, with grade level being a minor aspect of the decision-making process.
After Mr. Hartsfield has created his cast list, the first thing he does is call the entire cast for a read-through of the show. This is done to familiarize the cast with the show and the feeling of it, before they get on stage. This also builds chemistry between the cast members so they become accustomed to who they will be working with. After that, the process of rehearsing a play is quite simple: walk and act through the scenes chronologically on stage to practice and get the blocking down. Musicals; however, can be quite a different story, with the order in which the scenes are practiced can be completely out of order. When Brennan was practicing as Tony in “West Side Story,” he spent a lot of time reading his part, and understanding what his character was going through. Brennan says it wasn’t a difficult transformation for him, although he had some trouble pretending to be as “sad” as the character.
The final piece of the drama puzzle before the actual show is Tech Week. Tech Week is the week leading right up to opening night where everything is supposed to come together – the sound, microphones, actors, major set changes, and stage lights. The biggest trouble that Mount Saint Joseph has had in recent years, is the sound system. Mr. Hartsfield calls it the “bane of our existence” for MSJ shows. When MSJ does musicals; however, there are even more things that need to be accounted for, tested, and incorporated into the show: the pit band and the singers, and managing the sound for both.
At the end of the week, Mr. Hartsfield and his stage and tech crew always manage, and the show is ready to be put on. So when MSJ puts on their show each night, where is Mr. Hartsfield? Is he back stage helping the stage crew? Is he at home taking his well-earned nap? No.
Mr. Hartsfield is still hard at work, stressing it out up in the tech booth “calling the show.” That means Mr. Hartsfield has a walkie-talkie and is still directing, in a way. Instead of cueing the actors, Mr. Hartsfield gives cues to the stage crew in the wings (off to the sides of the stage) to make important set or curtain changes. Being in the tech booth, Mr. Hartsfield also calls cues for sound changes, lighting, and specific sound effects they need.
As you can tell, there is a plethora of moving parts that go into each of the productions here at St. Joe, thanks to Mr. Hartsfield, his crew, and of course, all of the talented actors that participate. Another special thanks to my interviewees, Mr. Hartsfield and Brennan Hyde, for their time and a bit of an inside scoop.
Ethan Webber is a freshman member of the Quill.
Well, not really, but what I am going to do is give you all the highs and lows of this year’s show, The Wiz. The show ran through the weekend of April 16th starting Friday night at 7 PM and ending on Sunday at 2 PM, and I am basing my review on the Saturday night performance.
Moving onto our first MSJ performer: Mark Haver, ’16. The role of the Tinman is one of the most important in the show. Mark brought something to the MSJ stage that I had yet to see, tap dancing. In his introductory scene/song, “Slide Some Oil To Me,” he separated himself from the rest of the group when he broke out into dance. His voice was also the epitome of what a Broadway voice sounds like: vibrato, drama, and attitude.
One actor that seemed particularly well-cast to me was senior Kyle Starling as the Scarecrow. He played the character with mindlessness and humor totally appropriate for the part. There were times when I lost Kyle on the stage, and that was a real shame. He had the most stage time with Dorothy compared to all the other roles, and I thought his solid performance suffered a bit simply by its comparison to Azaria’s star turn. Also, I felt like the acting like the Scarecrow couldn’t walk was way overdone. It was funny the first 2 times, but continuing to do so 3/4 of the way through got a little old. On the other hand, Kyle did use some excellent comedic timing though in his dialogue which really got people laughing and enjoying the show. Although mixed, I think it was a positive performance! Good luck Kyle in your future theatre productions!
Let’s continue and look at the role of the Wiz, played by MSJ junior Connor Hurley. Again I felt mixed about this performance. I didn’t quite get this characterization/interpretation of the Wizard, which I think needed a little explanation. Just imagine Evel Knievel and David Bowie having a child. That’s what this was like. It wasn’t a major problem though, and I might be the only person who felt this way. The actual performance Connor displayed was very well-executed. He definitely made the most out of the time he was on stage. And Connor once again brought that great Broadway-esque voice that the MSJ stage has now heard for some time. Bravo!
The Good Witches of the North and South were played by Seton Keough junior Pria Graham and MDSA senior Amelia Congedo, respectively. Both had pretty small roles but together did a great job in adding to the play. Pria was able to bring in a modern feel that just added to the performance and freshened it all up. Amelia sang a beautiful ballad while on stage and was visually captivating in an elegant costume to fit the part.
My expectations for this musical were pretty high. Coming off a great Winter musical (Cinderella), I thought that all of a sudden his would become a Broadway cast. And I also didn’t do my research. When I heard that this musical was written in an urbanized vernacular, I expected it to be 21st century, R&B or Hip Hop style music.
The Quill 